datableed

Amy Sara Carroll is the author of two collections of poetry SECESSION (Hyperbole Books, an imprint of SDSU Press, 2012) and FANNIE + FREDDIE/The Sentimentality of Post-9/11 Pornography (Fordham UP, 2013) and one book of criticism REMEX: Toward an Art History of the NAFTA Era (The University of Texas Press, forthcoming). Since 2008, she also has been a member of the collective Electronic Disturbance Theater 2.0/b.a.n.g. lab, coproducing the Transborder Immigrant Tool, which was included in the 2010 California Biennial and Political Equator 3.